Albums That Shaped Me: D’angelo, Voodoo

I can’t remember how I first heard this album. I think I had the CD on loan from a generous neighbour. What I am certain of is that this album changed my life.

What first hit me was the undeniable chemistry between Pino Palladino and Questlove. The way that the stretched the time and rhythms freely within a song was something I had never heard before. Even on the “straighter” songs the groove they created together was ferocious whilst always supporting the rest of the music. I was at the same time captivated and baffled by what I was hearing. Years later, I am still far from totally understanding how they did it.

Voodoo represents a magical moment in time where fate aligned with opportunity. So great was the power of the music that it attracted someone like me, who could not have lived a more different life from D’angelo, to his story and his atmosphere. To me his music still sounds like it is coming from somewhere else.

With hindsight, I can see how this album was part of the musical eruption that was later name “Neo-soul”. Labels aside, the influence of Voodoo can be heard everywhere. Rhythm sections around the world can heard imitating it’s grooves and feels. Pino Palladino single-handedly brought the P-bass back into fashion and set the new standard for all to aspire.

Albums That Shaped Me: Jean Baudin, Mechanisms

In this series I will be exploring albums that had a great influence on my musical development.

Jean Baudin’s Mechanisms is consists entirely of solo performances. The instrument Jean plays has 11 strings and does not easily fit into the category of either bass guitar or guitar. With this unique instrument he makes music that breaks fresh conceptual territory in a genre that is polluted by the constant presence of empty virtuosity. The music on Mechanisms escapes the ghetto of solo guitar/bass music and moves through a impressive range of emotions: at times dark, melancholy and finally transcendent.

One of the ways the album influenced me was the wide variety of sounds Baudin uses. The obvious examples being the effects that are used to colour the sound of the bass either modifying, or entirely transforming it. The sound of Baduin’s instrument is so unusual that even his uncoloured tone sounds futuristic.

Mechanisms showed me that instrumental music can go to a place that words can’t and that one instrument can have the power of many.

You can purchase this album from: http://www.jeanbaudin.com/store.html